CV

Assistant Professor of Indigenous Digital Arts, Culture and Media (Tenure-track)
Department of Arts, Culture and Media, cross-appointed to the Graduate Department of the John H. Daniels Faculty of Architecture, Landscape, and Design
University of Toronto, Toronto ON

Education
PhD, Cultural Studies (Expected ’25) – Queen’s University, Kingston ON
Master of Fine Arts, Interdisciplinary Art, Media and Design (2018) – OCAD University, Toronto ON
Bachelor of Fine Arts, Sculpture (2016) – NSCAD University, Halifax NS
Fine Arts Advanced Diploma (2015) – Georgian College, Barrie ON
Art & Design Fundamentals Certificate (2012) – Georgian College, Barrie ON

Exhibitions
2024 – Survival of the Fittest, Solo Exhibition, Campus Gallery, Barrie ON
2024 – When Is Future? When Is Now?, Gallery 101, Ottawa ON
2024 – [as the tongue slips], Durham Art Gallery, Durham ON
2023 – Singing Mother Earth, MoCA: Busan, Busan, South Korea
2023 – in parallel, The Power Plant Contemporary Art Gallery, Toronto ON
2022 – every answer is correct, (EY Building) The Power Plant Contemporary Art Gallery, Toronto ON
2020 – Barbara Laronde Exhibition, Toronto Media Art Centre, Toronto ON
2019 – waabandiwag, Xpace Cultural Centre, Toronto, ON
2019 – niigaanikwewag, Art Gallery of Mississauga, Mississauga, ON
2018 – From Food To Monument: Northern Retellings, Quest Art, Midland, ON
2018 – Settling in Place, MacLaren Art Gallery, Barrie, ON 
2018 – GradEx, Ada Slaight Gallery, Toronto, ON
2018 – “very fine people on both sides”MFA Thesis Exhibition, OCAD University Graduate Gallery, Toronto, ON
2018 – Ice Follies 2018, Lake Nipissing, North Bay, ON
2017 – Tonight’s Special: Bannock, Mille-Feuille and Berries, Nuit Blanche, Toronto, ON
2017 – Course Credit, OCAD University Graduate Gallery, Toronto, ON
2016 – Humanalia, OCAD University Graduate Gallery, Toronto, ON
2016 – Wake the Town and Tell The People, Mana Contemporary, Chicago, IL
2016 – The Mush Hole Project, Woodlands Cultural Centre, Brantford, ON
2016 – Wake the Town and Tell The People, Mana Contemporary, Jersey City, NJ
2015 – Off The Hook 2015, MacLaren Art Centre, Barrie, ON
2015 – 21st Annual ISC Outstanding Student Achievement Awards in Contemporary Sculpture Exhibition, Grounds For Sculpture, Hamilton, NJ
2015 – The Art of Living, WKP Kennedy Gallery, North Bay, ON
2015 – SDVA Scholarship Show, Georgian College, Barrie, ON
2015 – Know|Sense, Double Door Studios & Gallery, Anten Mills, ON
2015 – Print Exchange, Ulster University, Belfast, Ireland
2015 – MacLaren Benefactor Exhibition, MacLaren Art Centre, Barrie, ON
2014The Season: Baby It’s Cold Outside, SDVA Gallery, Barrie, ON
2014 – Getting To Zero, the front room Gallery, Barrie, ON
2014 – Off The Hook 2014, MacLaren Art Centre, Barrie, ON
2014 – Hot Off The Press, Georgian College, Barrie, ON
2014 – From The Rafters, Double Door Studios & Gallery, Anten Mills, ON
2014 – Works by Aylan Couchie, Le Studio Gallery, Lafontaine, ON
2014 – Suddenly Strung, the front room Gallery, Barrie, ON
2014 – SDVA Scholarship Show, Georgian College, Barrie, ON
2014 – Ritual Practice, the front room Gallery, Barrie, ON
2014 – By The Dozen, SDVA Gallery, Barrie, ON
2013 – Hot Off The Press, Georgian College, Barrie, ON
2013 – 91st Annual Butter Sculpture Competition, Royal Winter Fair, Toronto, ON
2013 – SDVA Scholarship Show, Georgian College, Barrie, ON
2013 – Works On Paper, University of Belgrade, Serbia
2012 – Hot Off The Press, Georgian College, Barrie, ON
2012 – 90th Annual Butter Sculpture Competition, Royal Winter Fair, Toronto, ON
2012 – SDVA Scholarship Show, Georgian College, Barrie, ON
2012 – One Night Stand, Georgian College, Barrie, ON

Public Art/Special Projects/Curatorial 
2025-26 – Upcoming Large-scale Municipal Public Art Commission
2024 – Commission, City of Barrie Arts Awards, creation of seven sculptural awards for 2024 Arts Awards, Barrie, ON
2023 – mmaandaawaabi, Co-curator with Dolleen Tisawii’ashii Manning and Nasrin Himada, Agnes Etherington Art Centre, Kingston, ON
2020 – Wonscotonach Workshops, Response Writer, Evergreen Brickworks & OCAD University, Toronto, ON
2020 – maawandoobiwag Public Art Installation, Pratt Homes, Barrie, ON
2019 – Listen to the Land (with Placeholders Collective), Nuit Blanche, Toronto, ON
2019 – [in]Sites, Artspace, Peterborough, ON 
2018-19 – Overlay of the Land/Land Is Where Your Feet Touch the Ground, Critical Distance Gallery, ASpace Gallery, Onsite Gallery, Toronto, ON 
2018 – Jessie Oonark (works from the permanent collection), Curator, Bovey Gallery, Art Gallery of Ontario, Toronto, ON
2018 – Land, permanent on-site monument intervention at City of Barrie’s Canada 150 Clock Monument, Barrie, ON
2018 – now is the time to see the truth, site specific installation on Lake Nipissing, (sponsored by White Water Gallery) Ice Follies, North Bay, ON
2018 – #callresponse Social Media Writer-In-Residence, Blackwood Gallery, Mississauga, ON, Dec 15, 2017 – January 27
2017 – Global Experience Project with Isaac Julien, OCAD University, January-June
2016 – The Mush Hole Project, site specific installation (former) Mohawk Institute Indian Residential School, Brantford, ON
2016 – Witnesses: Called to Action Public Endurance Performance, Art Bar & Cabaret Voltaire – Atlantique, Halifax, NS
2016 – This Is What I Wish You Knew {Re}conciliation Mural (Canada Council for the Arts), Halifax, NS
2015 – The Current Current, Halifax Stanfield International Airport, NS
2015 – H.I.O. Big Chiefs, Pratt Homes, Barrie, ON

Awards/Scholarships/Fellowships/Grants
2024 – Graduate Research Fellow, Pluriversal Worlding with XR 2024, Queen’s & York University, Toronto ON
2023 – SSHRC Talent Award, Queen’s University Nominee, Kingston ON
2020 – Joseph-Armand Bombardier Graduate Scholarship, Social Sciences and Humanities Research Council (SSHRC), Canada
2020 – Robert Sutherland Fellowship, Queen’s University, Kingston ON
2020 – Tri-Agency Recipient Recognition Award (TARRA), Queen’s University, Kingston ON
2019 – SSHRC Connections Grant (co-applicant), Place-based reparative environmental histories: Symposium 2.0, Nipissing University, North Bay, ON
2019 – SSHRC Partnership Development Grant (collaborator), Reassembling Ontario’s “Near North”: Reparation through university-museum-Indigenous research partnerships, Nipissing University, North Bay, ON
2018 – Ontario Arts Council Indigenous Arts Award Nominee 
2018 – Interdisciplinary Master’s in Art, Media and Design Interdisciplinarity Award, OCAD University, Toronto, Ontario
2017 – Arthur Lismer Award for Academic Excellence, NSCAD University, Halifax, NS
2016 – Delaney Entrance Graduate Scholarship, IAMD Graduate Studies, OCAD University
2016 – Ontario Graduate Scholarship, IAMD Graduate Studies, OCAD University
2016 – 2016 Premier’s Award Recipient, Recent Graduate, Ontario Colleges, ON
2015 – Barbara Laronde Award, Native Women In The Arts, Toronto, ON
2015 – Outstanding Student Achievement in Contemporary Sculpture Award, International Sculpture Center, Hamilton, NJ
2015 – Excellence in Studio Award, SDVA Scholarship Show, Barrie, ON
2014 – Excellence in Studio Award, SDVA Scholarship Show, Barrie, ON
2014 – Barrie Art Club Scholarship, SDVA Scholarship Show, Barrie, ON
2013 – Grand Champion “Harvey Townsend Award” Butter Sculpture Competition, Royal Winter Fair, Toronto, ON
2013 – Randy Anderson Memorial Scholarship, SDVA Scholarship Show, Barrie, ON
2013 – Excellence in Studio Award, SDVA Scholarship Show, Barrie, ON
2012 – Award of Excellence in Fine Art Studio: 3D, SDVA Scholarship Show, Barrie, ON
2012 – John Hart Memorial Scholarship, SDVA Scholarship Show, Barrie, ON

Media/Publications/Citations
2023 – Singing Mother Earth, Exhibition Catalogue, Museum of Contemporary Art: Busan, 2023
2022 – Voicing Identity: Cultural Appropriation and Indigenous Issues. Ed: John Borrows, Kent McNeil, University of Toronto Press, 2022.
2020 – “Unsettling Settler Possession“, Julie Hollenbach and Carla Taunton, Visual Arts News
2020 – “Bridge Obscura: Connecting Cultures through Sculpture Installation“, MFA Thesis, Shahrzad Amin, OCAD University
2019 – “Decolonization is Not a Metaphor: The Toronto Biennial Fights its Frame“, Vince Rozario, Momus
2019 – Hunting and Gun Ownership. The New York Times Editorial Staff, United States: Rosen Publishing Group, 2019.
2019 – “waabandiwag”, exhibition essay by curator Natalie King, Xpace Cultural Centre
2019 – “Settling in Place: An Interview with Guest Curator Andrea Fatona by MacLaren Curator Emily McKibbon”, MacLaren Art Gallery
2019 – “niigaanikwewag at Art Gallery of Mississauga”, exhibition review by Terence Dick, Akimblog
2019 – “JESSIE OONARK.” (Exhibition Review) Adrienne Huard, Canadian Art. Canadian Art, 2019.
2019 – “The White People Problem: Experiments in The Reverse Gaze”, MFA (Digital Futures) Thesis, Kirsty Boyce, OCAD University
2018 – Whitewalling: Art, Race & Protest in 3 Acts, Aruna D’Souza, United States: Badlands Unlimited, 2018.
2018 – “The ‘Site-Specific’ art and politics of Aylan Couchie”, Anishinabek News, February 2018
2018 – Talking Art with Aylan Couchie, The Roundtable Podcast hosted by Wayne K. Spear, January 2018
2017 – “Choosing change and reconciliation in the arts“, Simon Brault and Steven Loft, Globe & Mail, September 7, 2017
2017 – “Supporting Indigenous art in the spirit of cultural self-determination and opposing appropriation“, Canada Council for the Arts
2017 – 2017 Graduation Catalogue, NSCAD University, Halifax, NS
2017 – “A Day in the Life” with Anishinaabe Artist Aylan Couchie, Toronto Guardian, April 2017
2016 – “Double win for Georgian alumnae at Premier’s Awards Gala”, Georgian News, November 2016
2016 – “Anishinaabe artist receives nomination in Recent Graduate category of the Premier’s Awards”, Anishinabek News, October 2016
2016 – “Wake the Town and Tell the People”, Suzanne Seesman, Mana Contemporary, 2016
2016 – “New Art: Aylan Couchie” Annual Artist Feature, The Coast, February 2016, Halifax, NS
2015 – “Birch bark plane one of eight art pieces by NSCAD students installed at Halifax airport”, Metro News, Halifax, December 2015
2015 – “2015 Outstanding Student Achievement in Contemporary Sculpture Awards”, Sculpture Magazine, October 2015
2015 – “Aylan Couchie’s piece chosen to adorn Pratt Homes building”, Barrie Examiner, September 2015, Barrie, ON
2015 – “Georgian Fine Arts alumna chosen to create Barrie art installation”, Georgian College News, September 2015, Barrie, ON
2015 – “Aboriginal-inspired artwork wins Pratt Homes contest in Barrie”, Barrie Advance, September 2015, Barrie, ON
2015 – “Artist close with her grandfather”, Anishinabek News, August 2015, Ontario
2015 – “Vote for one of two Georgian artists in Barrie art competition”, Georgian College News, July 2015
2015 – “Former Barrie artist wins sculptor’s award”, Barrie Advance, July 2015, Barrie, ON
2015 – “Sculptor Award” (television), CTV Barrie, June 2015, North Bay, ON
2015 – “North Bay Sculptor” (television), CTV Northern Ontario, June 2015, North Bay, ON
2015 – “Local artist wins worldwide award”, Baytoday, June 2015, North Bay, ON
2015 – “Aylan Couchie – Artist Feature” Sunday Crush, Barrie, ON
2014 – “Extraordinary Experience: Carving A Grand Prize Winner”, GeorgianView 2014 Issue, Barrie, ON
2013 – “Fine Arts Student Hops to Grand Champion Win with Her Royal Winter Fair Butter Sculpture”, Georgian College News, Barrie, ON

Publications as Author/Contributor
2025 – Upcoming Book Chapter, Fernwood Publishing
2025 – Upcoming Book Chapter, Art Metropole
2024 – Quinn Hopkins, Stellar Narratives: An Urban Indigenous Odyssey, 2024“, Curatorial Essay, co-authored with Alexis Nanibush-Pamajewong, Evergreen Brickworks, Toronto ON
2019 – “We Didn’t Know the Monument Was So Important Until Someone Said It Should Be Removed”, CMagazine, Issue 142, Summer 2019
2019 – “The Walrus Drinks LaCroix”, Guest exhibition essay for Pawatamihk (Rihkee Strapp, Artist), White Water Gallery, North Bay, ON
2018 – “Zeal Without Wisdom: Rushing for Reconciliation” by Aylan Couchie, CMagazine, Issue 139, Fall 2018
2018 – “Layers Over Layers” in The Unpublished City: Volume II, edited by Dionne Brand, Phoebe Wang and Canisia Lubrin, Toronto, ON.
2018 – Rebecca Belmore: Facing the Monumental exhibition catalogue, researcher, Art Gallery of Ontario, Toronto, ON, July 2018.
2018 – “very fine people on both sides” MFA Thesis, OCAD University
2018 – “When Textbooks are Held Within Forest Floors”, Arts Everywhere
2018 – “Appropriation” by Aylan Couchie, Raven Davis and Chief Lady Bird, moderated by Lindsay Nixon, Canadian Art, Spring 2018
2017 – “Anti-Seal hunt rhetoric ignores facts and suppresses Indigenous Culture” Co-authored w/ Ian Mosby, The Globe & Mail, October 12
2017 – “Let’s Start with What Cultural Appropriation is Not”, Global News, May 19
2017  – “Returning Our Voices to Us: The recent debate about cultural appropriation shows that true reconciliation is not about saying sorry, it’s about listening to Indigenous Voices”, IRPP Policy Options, May 16

Presentations/Artist Talks/Symposia
2024 – Monumental Disruptions, Session co-chair, UAAC/AAUC Annual Conference, Western University, London ON, October 25
2024 – Indigenous Placemaking Through Storytelling, Panel with Kaya Joan (Moderator) and J.P. Longboat, Picton ON, June 16
2023 – Course: Art and Decolonization: Transformation through Indigenous Resurgence, Guest Lecture, University of Victoria, BC, October 31
2023 – Indigenous Research Collaboration Day, Presenter, Agnes Etherington Art Centre, Queen’s University, October 26
2023 – Indigenous Land-Based Digital Gathering Talk, Panelist, Agnes Etherington Art Centre, Kingston ON, August 26
2023 – mmaandaawaabi (see a wondrous sight) Artist Talk, Moderator, Agnes Etherington Art Centre, Kingston ON, August 20
2022 – Re:Countering Memory, Panelist, Creative Counter-Memorializations Symposium, NSCAD University, Halifax NS, November 24
2022 – Guest Artist Talk, Texas Woman’s University, Denton TX, September 26
2022 – Monuments of the Future Transatlantic Partnership, Lead Speaker, OCAD University, Toronto ON, March 17
2021 – techniques of observation, Moderator, 2021 Images Festival co-presented with Video Data Bank and FAVA, Toronto ON, May 25
2021 – Sustainability, Panelist, UND Writers Conference, University of North Dakota, Grand Forks ND, March 26
2021 – Guest Artist Talk, UND Writers Conference, University of North Dakota, Grand Forks ND, March 24
2021 – Subsistence, Panelist, UND Writers Conference, University of North Dakota, Grand Forks ND, March 24
2020 – Presentation Matters: The Importance of Exhibition and Display in the Reconciliation Process, Panelist, Ontario Association of Art Galleries, York University, Toronto, ON, March 6
2020 – Wonscotonach Workshops: Learnings from Sydney, AU, Presenter, Evergreen Brickworks & City of Toronto, Toronto, ON, March 6
2020 – Deconstructing Colonial Place-making Through Language, Moderator, NWIA Inaabandam Symposium, Toronto Media Arts Centre, January 18
2019 – Pathfinding A Good Way Forward, panelist, Cold Waters Media Arts Symposium, North Bay, ON
2019 – Resistances Through Art, Panelist, Canadian Federation of Students AGM, Nipissing University, ON
2019 – Reason Over Passion, Re-Joyce: Wieland for a New Millennium, Panelist, Canadian Filmmakers’ Distribution Centre, Toronto, April 6
2019 – Keynote, Georgian College, Barrie ON, Mar 23
2019 – Re:place: An Inquiry, Panelist, UrbanSpace Gallery, Toronto, ON, Jan. 10
2018 – Aboriginal Curatorial Collective: Global Discussions, Panelist, Pjilita’q Mi’kmaki: L’nuite’tmukl tan wejkuwaql naqwe’kl International Gathering, Halifax, NS, Oct. 12
2018 – Indigenous Placemaking: Making city sites places of reconciliation, Panelist, Innovations in Creative Space and Placemaking, Artscape in assoc. w/ World Cities Culture Forum and City of Toronto, Toronto, ON, June 7 
2018 – The Dynamics of Urban and Rural Arts in Ontario, Panelist, CPAMO Gathering, Toronto, ON, May 29-31 
2018 – Post-Reality NDN Art: Disrupting Indigenous Art and its Cannon, Presenter, Native American and Indigenous Studies Association (NAISA) Tenth Annual Meeting, University of California, Los Angeles, CA, May 17 
2018 – The Labour of Being Studied/The Labour of Refusing to be Studied, Speaker, University of Toronto, May 11
2018 – “Aylan Couchie Guest Artist Talk” Nipissing University, North Bay, ON, February 9
2017 – “Indigenous Tattoo Resurgence Panel,” Ka’nikonhrí:yo Gatherings, Moderator, Native Women in the Arts, Onsite Gallery, Toronto, ON, November 16
2017 – “social media disruptor,” Art & Activism, Panelist, Native American Art Studies Association Biennial Symposium, Tulsa, OK, October 25-28
2017 – “glu-it: forcing Inuit art into settler creations,” Questioning the Artist: Indigenous and non-indigenous strategies and practices, Panelist, Native American Art Studies Association Biennial Symposium, Tulsa, OK, October 25-28
2017 – “Resilient Women Must Sing,” Pop Up Speaker, AGO: First Thursdays, Art Gallery of Ontario, Toronto, ON

Arts Administration/Teaching Experience
2024 – Assistant Professor of Indigenous Digital Arts, Culture and Media (Tenure-track), Department of Arts, Culture and Media, cross-appointed to the Graduate Department of the John H. Daniels Faculty of Architecture, Landscape, and Design. University of Toronto
2024 – Communications and Membership Engagement Coordinator, OCAD Faculty Association (OCADFA), Toronto ON
2023 – Sessional Instructor, School of Graduate Studies, Directed Studio 1, IAMD Program, OCAD University, Toronto ON
2023 – Communications and Membership Engagement Coordinator, OCAD Faculty Association (OCADFA), Toronto ON
2022 – Sessional Instructor, School of Graduate Studies, Indigenous Art, Design and New Media, OCAD University, Toronto ON
2020 – aabaakwad 2020 NIRIN Sydney Biennale, Programming Coordinator, Art Gallery of Ontario & Sydney Biennale, Sydney, Australia
2020 – Sessional Instructor, Faculty of Art, Indigenous Art Experimentation (Indigenous Visual Culture), OCAD University, Toronto ON
2019 – Sessional Instructor, Faculty of Art, Indigenous Art Experimentation (Sculpture & Installation), OCAD University, Toronto ON
2018 – aabaakwad Global Indigenous Gathering Lead Coordinator, Art Gallery of Ontario, Toronto, ON
2018 – Creation of Cultural Appropriation Learning Module for 1st Year Drawing & Painting Program, OCAD University, Toronto, ON  
2018 – Teaching Assistant, Drawing & Painting, OCAD University, Toronto, ON 

Professional Development/Affiliations/Boards/Juries
Ongoing – Committee Member, Nipissing FN Language and Culture Committee, Nipissing First Nation ON
Ongoing – Committee Member, Royal Victoria Hospital Art Committee, Barrie ON
Ongoing – Director General, Native Women in the Arts, Toronto ON
2024 – Juror, Visual Arts Creation Projects, Ontario Arts Council, Toronto ON
2024 – Juror, Arts in the County, Prince Edward County Arts Council, Picton ON
2023 – Reviewer, CCP/CADN Colloquium, School of Graduate Studies, OCAD University, Toronto ON
2023 – Juror, Indigenous Arts Projects, Ontario Arts Council, Toronto ON
2023 – Juror, Indigenous Artists in Communities and Schools Projects, Ontario Arts Council, Toronto ON
2023 – Committee Member, NFN Culture & Language Committee, Nipissing First Nation ON (ongoing)
2022 – Juror, Multi and Inter-Arts Projects, Ontario Arts Council, Toronto ON
2018-20 – Board Chair, Native Women in the Arts, Toronto ON
2019 – Juror, Northern Arts Projects, Ontario Arts Council, Toronto, ON
2019 – Juror, Northern Ontario Mobile Residency, Near North Mobile Media Lab, North Bay ON
2018 – aabaakwad Global Indigenous Gathering Lead Coordinator, Art Gallery of Ontario, Toronto ON
2018 – Public Art Jury for Creative City Campus, Toronto ON
2017-18 – Secretary, Native Women in the Arts, Toronto ON
2017-19 – Fine Arts Advisory Committee, Georgian College, Barrie ON
2015-19 – Art & Design Fundamentals Advisory Committee, Georgian College, Barrie ON
2015 – Juror, The First Floor Gallery (Department of Culture/City Hall) Barrie ON
2014 – Director of Marketing – the front room gallery, Barrie ON

Residencies and Professional Development 
2023 – Indigenous Land-based Digital Arts Gathering, August 19-27, Queen’s & York University, Howe Island ON
2019-20 – Community Researcher/Curator in Residence, CUSP Research Project, Nipissing University, North Bay, ON
2019 – Sculpture Mentor, ᑯᐦᐹᑌᔨᑖᑯᓯᐃᐧᐣ | the act of being thought of as contemptible (artist Joe Wood), White Water Gallery, North Bay ON
2018 – Facilitator, Oral Histories Wikipedia Workshop programming as part of From Food to Monument: Northern Retellings, Midland Public Library, Midland, ON
2018 – Delegation member, World Cities Culture Forum Leadership Exchange, (Topic: Indigenizing Urban Spaces through Public art/landscape) City of Toronto exchange with Sydney, Australia, October 26-Nov 2
2018 – Mentor, Indigenous Curation Grant, White Water Gallery, North Bay, ON
2018 – Researcher, Rebecca Belmore: Facing the Monumental exhibition, Art Gallery of Ontario, Toronto, ON
2018 – Groundworks Indigenous Art Intensive, Residency, UBC Kelowna, July 12-28
2018 – Cultural Appropriation Workshop, Facilitator, Lambton-Kent District School Board, April 27
2018 – Delegation member, Canadian Embassy invitation and tour of Washington & North Carolina National Galleries, Washington DC, March 5-9
2018 – Curatorial Intern, Indigenous Art, Art Gallery of Ontario, Toronto, ON 
2018 – Graduate Student Representative, OCAD University Senate Graduate Studies Committee, Toronto, ON 
2015 – Event Curator, “Keesic Douglas: Films Short Like Loin Cloths”, Barrie Film Festival Aboriginal Days Feature, June 2015, Barrie, ON
2014 – Event Coordinator in cooperation with ACSC“Getting to Zero” (World AIDS Day 2014), Barrie, ON
2014 – Key Organizer – “Who New?!” Community Art Crawl (September 16), Barrie, ON
2014 – Key Organizer – “Who New?!” Community Art Crawl (April 5), Barrie, ON

Collections
TD Art Collection, TD Bank, Toronto ON
Permanent Collection, Royal Victoria Hospital, Barrie ON
Private Collections throughout Canada
Email for PDF Copy

Contact
email: aylan@aylan.ca

Linktr.ee: https://linktr.ee/aylanx

Social Media
Vimeo: AylanX
TikTok: @AylanX_
YouTube: AylanX
Twitter: @AylanX (Permanently deleted June 2023)

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